“The artist agrees to transmit images of Ela (now seven years-old) to the digital photo frame until her death at which time the frame will be turned off.
A minimum of one snapshot and a maximum of 50 may appear in one day. The snapshot will change at the artist’s discretion, the aim being to expand the portrait of Ela. The rhythm of the photographs and transitions between them will vary. The viewer cannot go back and review past photographs. The viewer cannot make any attempts to contact the artist or Ela.
A 10 x 15 cm paper print of the first snapshot of Ela is in the drawer in the base of the piece. A paper print of the last image shown will be sent to the owner upon the death of the artist. The last image is to be stored with the first image in the base drawer.”
This text accompanied the above piece of which are three versions: Ela, Ty, and Mervyn. These fictional characters are loosely based on the artist’s three children that are constructed over time using images of the children. The owner of the piece follows the life of the child into adulthood, creating for herself a narrative based on the transmitted images. Upon the purchase of the piece, the artist signs a contract binding her to uphold the above agreement until her death.